Color Mixing Video on Youtube

Hey guys! I want to fill you in on my latest video. I was really excited to make it, as it marks my first video in front on the camera. Which was nerve racking, but fun!

In the video I demonstrate how I mix my colors for my beach paintings. I keep it fairly simple, although color theory can get very complex if you haven’t studied it. I use a double primary palette of 2 reds, 2 yellows, and 2 blues along with purple, pink, white and Burnt Sienna.

Here is a complete list of all the colors that I use:

  • Pthalo Blue
  • Ultramarine Blue
  • Cadmium Yellow Medium
  • Cadmium Yellow Light
  • Cadmium Red Light
  • Alizarin Crimson 
  • Titanium White
  • Burnt Sienna
  • Turquoise Blue
  • Manganese Violet
  • Bright Pink
  • Sap Green
  • Permanent Green Light

 

 

I have always been wildly passionate about color. I am constantly looking at colors everywhere I go. I believe this is an important part of being an artist, because as artists, our colors are our friends.

I hope you enjoy it, and until next time,

let’s bring some color into the world!

Ryan Kimba

http://www.etsy.com/shop/RKBeachPaintings

http://www.ryankimbaart.com

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The Biggest Art “Myth” Ever Told!

In the past artists have been looked down upon in mainstream culture, although this has been changing. More and more artists are taking their talent and skill into the business world than ever before.

So what is this myth, you ask? Well, I’ll be happy to tell you.

Many people believe that artists need to be tortured, conflicted, depressed, or unstable, for lack of a better word. In other words, they need to be rebels to be talented or effective creators. Artists themselves believe this and popular culture continues to propagate this myth in movies, music, and television.

This is the biggest lie in the art world, and I’ve found myself dipping into it from time to time. It just simply isn’t the case. Artists can be happy, well-adjusted, successful, joyful, and respectable. They can also be loving. There is no reason why an artist cannot be successful from a place of emotional well-being. 

Take my beaches paintings, for instance. They are born from the peace, serenity, love of nature, and balance that I have within myself. That is why I am able to create these lively, colorful, and vibrant pictures. I want to share my love and wonder of the beach with my viewers. The good in me is carried into my artwork.

What myths do you buy into? What are you holding onto tenaciously that is no longer allowing your life to work? These are the questions all of us should ask ourselves. Just because a group of people believe something, it doesn’t make it true. My advice is to believe in something that brings meaning into your life. Something that is positive and life-affirming.

Leave the garbage by the curb where it belongs!

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Keep fighting the good fight, and keep bringing your art into the world.

 

Until next time,

Ryan Kimba

http://www.ryankimbaart.com

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Painting a Rocky Coast: Palette Knife Tutorial

In this tutorial I’ll be showing you how to paint an awesome beach painting with palette knives. I will be doing an exciting rocky coast!

So let’s get started.

The colors I’ll be using are:

Titanium White, Pthalo Blue, Ultramarine Blue, Burnt Sienna, Turquoise, Cadmium Yellow Light and Medium.

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To begin, I’ll take a bit of Pthalo Blue and Ultramarine Blue and mix them with Titanium white. This will be our sky color. It will be pretty light with this painting. The masking tape just helps us keep a straight line. This will be where the sea meets the sky. Pretend that you are buttering toast! That is the best way to use palette knives!

 

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This will be our land. To get that atmospheric color, we can add the 2 blues with some Burnt Sienna and white. Remember to keep this relatively cool (blue), as cool colors recede and warm colors move forward. This land is in the distance.

 

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I wanted the land to curve a little toward the viewer, and I also added a light earth color to the hills in the background. Make it look like trees and rocks. We will go back and add more detail later. Let’s just get the canvas completely covered with our underpainting. The ocean color on the top can be achieved by mixing Turquoise with Pthalo blue. For the bottom part of our sea, simply take that same color and mix in a bunch of Ultramarine.

 

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Bring the two blues together like so. The bare part of the canvas left over will be our sand and also some Tussock grass on a hill.

 

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For this sand color, we need to mix several different colors together. The majority of the mixture will be white, but we will need to add in some Burnt Sienna and a speck of Ultramarine. I also added in some detail to the hills in the background by adding pine trees. These won’t be green like we normally see them because they are far away and there is a lot of air in between. So keep the green very gray and dull.

 

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Here we can start blocking in the grassy hill in the foreground with some an Olive green color, mixed from Cadmium Yellow Medium, Burnt Sienna, white, and Ultramarine. Whenever I add in Ultramarine and Burnt Sienna, I am graying down the mixture, as those two colors together create black. I also scraped the paint off of the canvas to add in our rocks. This is the great thing about palette knives. You can scrape paint clean off, although the paint will leave behind a color stain. But that’s A-Okay!

 

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Here I finished out the details for the rocks in the ocean. I added some moss on them and also added some light and shadow, which makes them “pop.” Remember that there will need to be shadows behind them in the water as well. For the hill in the foreground, I added some bright greens and shadows as well to give the illusion of uneven terrain. I also added in some waves in the ocean with some teal. I like to use a thin narrow palette knife for details like that. There are all kinds of different knives you can buy with different shapes and blades.

 

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And here is the finished painting!

I decided to make the big rock a sea arch by scraping out a hole and filling it with our ocean color. And for the waves, you can use white straight from the tube, as these are shining in the sun. Just glob on the white with the tip of the knife to makes the waves. And have fun with this if you decide to give it a whirl.

Palette knives are amazing to work with!!

I hope you enjoyed this tutorial. Don’t forget to check out my online shop and also my new Youtube video. 

http://www.etsy.com/shop/RKBeachPaintings

 

And until next time,

let’s bring some color into the world. It could always use it!

Ryan Kimba

http://www.ryankimbaart.com

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Realism—- VS —-Impressionism!

The hardest part about going away from realistic art was being okay with the fact that I didn’t have to paint realistically. The truth is, I got burned out on painting in that style. Having to paint too tight started to get old after so many years as I realistic artist.

I wanted to express myself. I wanted to be loose and free in my planning and approach. And I wanted my brush strokes to be more spontaneous and random. In other words, I wanted to paint in a impressionistic form.

And to do that, I knew I needed to make a change.

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And in order to truly make a change, I needed to do something different. And what was that, you ask?

I put away my brushes and picked up a palette knife.

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Starting to use palette knives forced me to paint loose. I had no choice. Knives don’t allow for super fine detail and life-like strokes. They were invented to resist all of that. And now that I use only palette knives in my work, I don’t see myself ever going back to brushes.

I feel that too many times “realism” in art is the stamp of approval for the artist. People in general seem to enjoy looking at realistic art. If it looks real, they view the artist as better or more talented

They see the art for what it is.

They can understand it; they can relate to it.

But this doesn’t mean that realism is better. It is only one style or genre of painting. There are many others to choose from. Once I became alright with change, I grew exponentially as an artist. And because my impressionist style doesn’t take as long, I can paint many more pieces than I could have before.

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So the moral of the story—do what you feel in your heart, not what you think you have to do. If you put love and passion into your work, you will eventually find an audience who loves and is passionate about it too.

Hope you had a nice Easter.

And until next time,

let’s keep bringing some more color into the world!

-Ryan Kimba

http://www.ryankimbaart.com

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA

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Cruising in Style

It’s finally here!

Tomorrow morning I’ll be flying down to Fort Lauderdale, from which I will catch a train to Miami with my older sister. And then, VIOLA!!! It’s onto our Royal Caribbean ship for an unforgettable voyage to the Bahamas! Where sun, sea water, and dolphins await us!

I can’t wait to swim with bottle-nosed dolphins again. There is nothing quite like it. It’s a once-in-a-lifetime experience, which I’m grateful enough to experience again. But nothing will ever be as grand as that first swim in 2011 in Key Largo. Below is a picture of me swimming with momma’ and baby!

 

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I’m looking forward with anticipation to getting out of the studio, away from cold Michigan, and embarking on my first ever cruise. Cross it off my bucket list, please! As it is something I’ve always dreamed about doing. It will be so nice to get to share it with my sister Ashley, as this is her first cruise as well. We have no idea what to expect, but we are ecstatic nevertheless.

Can’t wait to get a wealth of inspiration for my painting!!! I’ll be taking lots of pictures and videos for reference material for when I get back into the art studio, so expect some lovely palette knife beach paintings of the Bahamas in the very near future.

I will talk to you guys when I return!

Hope your week is filled with adventure and joy like mine will be!

 

Until next time,

bringing some color to the Bahamas,

Ryan kimba

http://www.etsy.com/shop/RKBeachPaintings

http://www.ryankimbaart.com

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA/videos

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Painting Clouds with Palette Knives

 

Good morning!

I’m beach artist Ryan Kimba, and today I will be showing you a quick painting lesson.

Before we begin, remember that palette knives were not created for us to paint in a realistic style. With knives we need to surrender total control and paint loose. The clouds in my paintings are impressionistic. They look like clouds but they are by no means life-like. And they don’t need to be.

Let’s start off with a backdrop of blue.

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For the top of the sky we will use Pthalo Blue dulled down with a little bit of Titanium White. Work it from side to side like you are buttering toast. This is exactly how it will feel. To put more butter on your bread, you need to use varying amounts of pressure and tilt the knife downwards and upwards. Same thing when you are painting with a knife!

 

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For the bottom half of our sky we will use Pthalo but with a large amount of Ultramarine blue mixed in. This shade of blue will be much warmer than the top. When side by side, see how the bottom blue leans more toward purple? Generally the sky tends to get more purple and hazy as you go to the horizon.

 

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In this step we are simply blending the two colors together. This is a fairly quick process. And now that we have our base, we can begin adding clouds!

 

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This is where we add straight white out of the tube. Now your initial dab with the white will mix in with the blue beneath, so do not fear. Just add in some thicker white paint to sit on top of the stained white. You can make long wispy clouds or you can make puffy cumulus clouds. It’s totally up to you! Have fun with it!

 

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When I am painting clouds, I like to roll the white paint onto the bottom tip of the knife blade, rubbing it onto the canvas in a rolling motion. An amazing characteristic of palette knives is that they are surprisingly flexible. You can bend them any which way you choose and they will spring right back into action.

 

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And here we have a completed cloudy blue sky. For all of you artists that don’t like to paint clouds—do not be afraid! Give this a try. The only way to learn is by practicing and experimenting. You may even find your own exciting way of painting clouds!

Don’t forget to follow my Etsy shop and browse my original paintings:

http://www.etsy.com/shop/RKBeachPaintings

 

Also, be sure to subscribe to my Youtube channel or leave a comment and let me know what you think of my videos. I’d love to here from you.

 

Until next time,

let’s bring some color into the world.

Ryan Kimba

http://www.ryankimbaart.com

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The Colors of a Beach Painting

The colors artists use are extremely different from one another. And that is okay. There is nothing wrong with picking your own unique palette of beautiful colors. Your colors say a lot about your style and the type of artist you are. 

Whenever another artist tells you that you need to use different colors, or ones that they love, don’t put too much stock in it. When someone tells you “you ought to use this blue or that red,” you have to resist all of that. Just because something works for someone else, it doesn’t mean that it will work for you. Or that you will even like it.

Always follow your gut, and listen to your heart. Picking your color palette is one of the most crucial things an oil painter can do.

Now if you don’t have a ton of experience painting, then by all means take notes from your peers and see what they are using. I’d like to share with you some of the staples on my own palette, especially when painting sunsets. All of these colors I have pretty much stumbled upon. By happy accident, of course! So here they are.

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Titanium White

I could not work without this amazing color. White is actually my favorite color, although it is technically all of the colors in the spectrum, or the absence of color (like most people say). I use TW to tint all of my colors on my palette. I also use it to paint bright white clouds and waves under a bright sun. There are other good whites, but nothing is stronger and more pigment-rich than this one.

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Pthalo Blue

This cool blue is incredibly strong. The pigment Phthalocyanine has a dramatic tinting strength, which you will need to look out for in your mixtures. Mixing Pthalo into another will overwhelm the other color quickly, so use small dabs of it. It’s powerful tinting capacity aside, this is a gorgeous true blue that is priceless when painting the sea and deep blue skies.

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Ultramarine Blue

I have a warm and a cool blue on my palette. This is the warm blue, meaning it leans more towards red on the color wheel. Ultramarine Blue has a slightly purplish undertone to it, which makes it invaluable for painting the shadows in cloud formations and wet sand impressions. I use a TON of it mostly because by mixing this color with Burnt Sienna, I get a brilliant chromatic black, which is a lovely rich black that won’t kill your other colors when mixing.

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Burnt Sienna

Burnt Sienna is a warm reddish brown color that is the other half of my black! It is a terrific color I found after I became tired of mixing this from blue, red, yellow, and black. I wanted something quicker and easier. This color is nice for the trunks of my palm trees, grass, rocks, and for warming cooler colors.

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Manganese Violet

This is a beautiful shade of violet made by the Old Holland line of oils. It is rich, deep, and bright out of the tube, and it cannot be mixed from other colors. This is a fabulous sunset color in your velvety skies. It is also great for flowers. I use this one sparingly.

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Brilliant Pink

Also by Old Holland, I am using this one more and more. It is lush, bright, and tropical. I love to use this for mixing various tints and shades for the tropical flowers which dot a lot of my paintings. You can get a shade similar to this one from mixing white with Cadmium Red, but it will not be as brilliant and true. 

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Carmine Red

Carmine Red is similar to Cadmium Red Medium and other popular pigments. It also makes great magentas, pinks, and browns. It is bold and also has a high tinting strength, so a little goes a long way. CR is a deep blood-red shade that is sure to liven up your sunsets.

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Cadmium Yellow Medium

And lastly we have Cadmium Yellow Medium, which leans towards orange when compared to the “light” of the same name. All of the cadmium colors have high pigment concentrations, which makes them more expensive. They are also fairly toxic, so make sure you have proper ventilation in your studio. This is great for grass, trees, sunlight and bursts of color through the clouds. Mix it with Cadmium Red to get orange, and Pthalo Blue to get a true green.

My new sunset painting below was created using all of these wonderful colors. 

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Don’t forget to check out my art painting tutorial channel on Youtube, and also my Etsy shop.

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA

http://www.etsy.com/shop/RKBeachPaintings

I am working on growing my audience and could use your help! So if you haven’t done so yet, be sure to follow my shop and this blog. Also be sure to hit “like” and subscribe to my channel on Youtube.

Thanks for reading, and I hope this has inspired you to bring your own colors into the world. 

Give it a bit of beauty. 

Ryan Kimba

http://www.ryankimbaart.com

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