“Over the Tree Tops”–Painting a Commission: Step 3

Our commissioned painting is nearly complete! All we need to do now is work on the tree tops under our lovely sunset. So let’s get started with that. If you enjoy this, be sure to hit “like” and follow my blog to view the whole series along with future blog posts.

For this step, all we will need is a chromatic black, mixed from Ultramarine Blue and Burnt Sienna. I like to mix my own black, but you can use a black out of the tube. Whatever you prefer.

Alright, let’s wrap it up now…

 

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With a #2 filbert brush, let’s start by tackling the tree trunks. It’s easiest to paint a straight line for the trunks before we start adding in all of the branches. Make sure to put your trees at the horizon, as this is a shot of the sky above. Remember to make your trunks fairly thin since they are near the top.

 

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Let’s do a mixture of pine and deciduous trees. In the right hand corner, I’d like to paint a larger tree that will lead up to the beautiful yellow colors in our sky. It will make a nice frame. One thing when painting trees…don’t be afraid to go a little wild with your branches! Branches go in all directions and can be both large and small. There are no rules other than to make them go smaller as your near the top.

 

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Here we can add in a healthy pine tree to give this scene some much-needed variety. After all, isn’t “variety” the spice of life? Note that when using a small filbert or round brush, it will basically feel like you are drawing. All we our doing here is sketching with a paint brush. Continue this process until you feel confident in your trees. 

 

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So after a few weeks, here is what our commission painting looks like. I showed it to my client and they absolutely loved it. I will be posting it on my etsy store soon so that they can purchase it. It’s better to do that because it establishes a sales record online to help grow your career, instead of just taking a check or cash on the side.

To you artists out there–don’t be nervous to take a commission assignment and make money off of your work. If you are serious about your art, you owe it to yourself. And you deserve all of the success in the world. All you have to do is take that first step…

Don’t forget to check out my new youtube channel, my etsy shop, and also my website. The links are available below.

Until next time,

let’s bring some color into the world! And let’s continue to grow as artists!

Ryan Kimba

http://www.etsy.com/shop/RKBeachPaintings

http://www.ryankimbaart.com

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA

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“Reach for the Sky”–Painting a Commission: Step 2

Working on clouds is always an exciting and challenging ordeal. They are soft and need to be blended quite a bit. But some clouds are bright with harder edges. And the variety of clouds is endless…which makes them so fun to paint. We can do whatever we want with them!

My commission painting is going well so far and we will now begin livening up our sky a bit. If you missed part one of this commission series, here is the link:

https://ryankimba.wordpress.com/2017/01/16/beneath-the-surface-painting-a-commission-step-1/

Here are the colors I will be using for our clouds.

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For our violet I mixed some Alizarin Crimson, which is a bluer red, with Ultramarine Blue. This color will be dark, so don’t forget to mix in some Titanium White. We will have a few shades of pink also, some warmer and some cooler. The base of my pink colors is Bright Pink from the Old Holland line. Use the palette knives to mix the paints on your palette and use the fan brushes to apply to the support.

 

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First let’s start with a mid-tone pink color, smudging it in with the palette knife. From there we can scrape these mounds together with the fan brush.

 

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Here is what our canvas should look like, with some pink at the horizon and also where the two blues intersect. The next part of the process will consist of getting rid of that unsightly border line between the blues.

 

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In this phase I simply added in some Cadmium Yellow Medium to warm up the bottom of our pink clouds. This is where the sun is setting, so we want a bit of a gold lining. To achieve this let’s mix in a tiny speck of the yellow to white and rub the filbert brush along that dark blue border line. This will literally make our sky shine!

 

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Now the fun really begins as we add in our lovely violet color to make the darkest clouds, the ones that are closest to the viewer. When painting them, make sure they don’t all look the same. I like to do several types of cloud when I am working on a sky in oils. It adds interest, especially when our focal point is the actual sky itself. For painting these clouds I like to use a soft-haired filbert brush, a #2, to be precise. But that is just my own personal preference. You can use any brush you’d like.

 

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We will wrap up the sky by adding in some of the finer details to make the sky look polished. The key here is to blur the edges of the clouds to make them look puffy. I must say this commissioned painting is looking nice so far! I hope you are enjoying watching the process unfold as well.

Stay tuned next week for the last part of our series, in which we will be working on the tree tops at the bottom of our sky.

Commissions are great for any artist. They really allow you to stretch yourself mentally and artistically, being able to create something beautiful from another person’s life. Not to mention the nice payday that commission work can bring.

As always, do what you love to do. There is no finer calling. I wish you all the best in your lives and your creative endeavors, whatever they may be.

I’ll see you for part 3!

Until next time,

Ryan Kimba

http://www.etsy.com/shop/RKBeachPaintings

http://www.ryankimbaart.com

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA

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“Beneath the Surface”–Painting a Commission: Step 1

Over the next several blogs I will be demonstrating the process of painting with oils. So if you haven’t already, be sure to follow my blog to stay updated on the series.

I recently obtained a commission assignment of a beautiful winter sunset with some dark trees at the bottom of the scene. So that is what we will be doing here. In this post we will create an underpainting in which we will build our subsequent layers over. One of the main reasons to do this is because when you are painting with oils, the “fat over lean” rule applies. This means that you want to start with thin paint and go thicker with each new layer, so that your painting doesn’t crack over time!

Step 1: Creating an underpainting

First, let’s talk about what materials we will be using.

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To thin down the paint, we will use Liquin Fine Detail Medium made by Windsor & Newton. This will make the paint spread easier and will also save paint by increasing your paint flow from your brush. Although I am a palette knife artist, I will also be using some fan brushes as well, upon client request.

For our oil paints, I use a combination of Old Holland and Williamsburg. But you can use any brand you desire, so long as it is professional grade.

For this first step in our commission painting, we will use the following colors:

1.Titanium white

2. Pthalo Blue

3. Cadmium Yellow Light

4. Ultramarine Blue (mix with Burn Sienna to make black)

5. Burnt Sienna

 

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Let’s begin by dipping our fan brush into the Liquin and then rolling the tip of it into the paint. To achieve this shade of blue simply mix a bit of Pthalo Blue and your black into a puddle of Titanium White. We will use this color for the top 2/3 of the canvas. If your paint starts to get a little thick and won’t spread quickly, just add in some more Liquin. 

Next we will lighten this color with a lot more of the white and mix in a tiny dab of yellow to make the blue warmer. This will give the bottom of our sky more of a “setting sun effect.” Block in the rest of the sky with this color. 

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And there you have it! A nice underpainting for our commissioned sunset in only a few minutes. Keep in mind that this will need to completely dry before we begin adding our clouds. This will take a couple of days; three at the most. 

I will see you here next week for part 2!

Don’t forget to check out my beach paintings on my online shop:

http://www.etsy.com/shop/RKBeachPaintings

 

Also, for those of you that don’t know, I am now on Youtube! Take a gander at my channel:

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA

 

I hope you all are having a wonderful new year so far!

Until next time, let’s bring some color into the world.

Ryan Kimba

http://www.ryankimbaart.com

http://fineartamerica.com/profiles/ryan-kimba

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Lending a Helping Hand

Time and time again I find that artists are insecure. A lot of times they don’t believe in themselves. I have received numerous discouraging e-mails and messages over the years that really speak to this truth, such as “Oh no, I can’t sell my stuff..I’m no good,” or “I didn’t receive the ‘art gene,'” or even “I’ll NEVER make it as an artist. I didn’t go to art school.” My mission as an artist is to help my peers as much as I possibly can. I have devoted my career to it. Even if it is only through motivation or inspiration.

That is what this blog is all about.

That is what my new Youtube channel is for.

I’d like to assist because I have been there myself. I have personally been molded by failure and mistakes. I have taken huge risks and came up awfully short. I, like them, have been touched by discouragement and lack of hope. But if I could get through all of that, I believe that you can too. I believe in you and your artistic abilities and aspirations. If you are willing to struggle, grow, change, and persist, I am 100% confident that you will make it as a professional artist! Those are the ingredients required for massive success in any creative endeavor.

Let’s share in our creative journey together, shall we? Nothing would make me happier.

Here is a new painting of a beautiful sunset I recently finished. Check out the second photo to see the rich and 3-D textures characteristic of my style.

http://www.ryankimbaart.com

1Night Bright.  Oils on canvas: 16×20 inches

 

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Click here to watch my art tutorial video on Youtube: 

https://www.youtube.com/channel/UCoDaJL5tkFEHCzrC_yYrmcA

 

And don’t forget to share with your friends and family. I’d greatly appreciate your support in spreading the word about my art.

S0 until next time,

don’t be afraid to fail. It may take years to establish yourself, but it only begins with a single step!

Ryan Kimba 

http://www.etsy.com/shop/RKBeachPaintings

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Ryan Kimba, Live on Youtube!

Well, it’s officially 2017. Happy new year to you!

So after months of taking about it, I have finally posted my first beach painting video on Youtube. And I’m very excited about it! I can’t wait to see where this new journey will lead.

I’m looking forward to meeting new people, inspiring other artists, and learning a lot in the process.

It’s amazing how much goes into making a professional art tutorial video. Firstly, there is the music, which of course needs to be original. And you have to pay a professional to write it. That is the only way to go. Then there is the camera and lighting, which takes weeks to get the way you want them. And let’s not forget about the constant video editing that must be done.

I will admit that the narration was the hardest part, as it wasn’t recorded live with the painting. Because I dubbed it into the time-lapse footage after the painting was completed, I found it difficult to make it sound authentic and real. To make it go along with the flow of the video. But everybody has to start somewhere, and in the end I think it turned out alright.

 

So here is my new video. Enjoy!

 

 

I hope you enjoyed watching this as much as I did creating it. Be sure to share with your friends and subscribe to my channel for future art videos.

As always,

let’s bring some color into the world. Let’s keep making art!

Ryan Kimba

http:///www.ryankimbaart.com

http://www.etsy.com/shop/RKSeascapePaintings

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http://www.fineartamerica.com/profiles/ryan-kimba